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woodblock

英['wʊdblɒk] 美['wʊdblɑːk]
  • n. 木版;木砖;木块

双语例句

1. Han Jia, isn't it woodblock printing?
韩佳,这不是雕版印刷吗?

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2. These woodblock prints are vividly molded, true to life.
这些木刻造型生动,形态逼真。

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3. There're sculptures and woodblock prints in the exhibition.
展出的有雕塑和木刻。

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4. The woodblock print is easily made and is quickly accepted.
木刻版画是一种容易制作,也容易接受的画种。

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5. But woodblock printing isn't something to be learned in a short time.
只不过,刻版可不是一时半会儿就能学会的。

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6. Japanese Woodblock printing has been around as early as the eighth century.
日本雕版印刷已早在八世纪左右。

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7. This particular woodblock is one of the most recognized works of Japanese art in the world.
《神奈川冲浪里》,日本浮世绘技法和风格的扛鼎之做,世界美术史的重要组成部分。

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8. With the adoption of metal printing and some new printing technology, woodblock printing gradually declined.
在近代金属制版和新的印制技术出现以后,木版年画又随之衰落。

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9. However, the creation is the advantage of the woodblock, and creative teaching is the top priority of woodblock teaching.
然而创作是版画的优势,因而创作教学是版画教学的重中之重。

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10. Woodblock printing is a knife in a wooden block carved into the bulge to the anti-write, and then the ink, printed on paper.
雕版印刷是用刀在一块块木板上雕刻成凸出来的反写字,然后再上墨,印到纸上。

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11. Woodblock printing is a knife in a wooden block carved into the bulge to the anti-write, and then the ink, printed on paper.
雕版印刷是用在一块块木板上雕刻成凸出来的反写字,然后再上墨,印到纸上。

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12. the composition on the wall isactually woodblock prints of plants from an old french botanical dictionarythat i found on ebay.
墙上的一组装饰是一本古董法国植物字典的印刷刻板,我从ebay上淘来的。

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13. The ancient books obvious local characteristics, woodblock print, Taoyin Ben, movable, script, transcripts and other types are rich.
安徽地方特色明显,刻本、套印本、活字本、稿本、写本、抄本等种类丰富,善本、孤本在全国占有一定地位。

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14. The combination of woodblock overprint and "Gong Hua" techniques in Ming Dynasty pushed the ancient colored overprint history to its peak.
明季饾版印刷技术和拱花技术的结合把古代彩色套印历史推向了颠峰时期。

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15. The exhibition includes a number of examples from his most recent series of ink paintings titled 'Utopia', and a handful of woodblock prints.
展览包括他最近的作品水墨画“乌托邦”系列和一些木版画。

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16. Zhu Xuanxian, 1927 (Zhejiang)---2002 (Chongqing), outstanding traditional Chinese painting artist, woodblock artist, caricaturist and art activist.
朱宣咸(1927--2002),杰出的中国画画家、版画家、漫画家与美术活动家。

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17. Furthermore, he made use of the techniques of woodblock prints which allow for differences in intensity and shade of colour creating highlight and contrast.
他在剪纸中创新性地运用木版印刷的技法,取得更丰富的层次感和对比度。

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18. AT AROUND the age of 70, Katsushika Hokusai, still bounding with artistic energy, created “Thirty-six Views of Mount Fuji”, a series of ukiyo-e, or woodblock prints.
古稀之年的葛饰北斋(1760-1849,日本人,浮世绘画家)依然充满了艺术活力,创作了一系列的浮世绘或木版画《冨岳三十六景》。

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19. AT AROUND the age of 70, Katsushika Hokusai, still bounding with artistic energy, created "Thirty-six Views of Mount Fuji", a series of ukiyo-e, or woodblock prints.
葛饰北斋70岁上下之时,艺术细胞仍然丝毫未减,创作了《富士三十六景》系列浮世绘(也叫做木板水印画)。

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20. The research is to study the172 woodblock-printing books in Song Dynasty, which are collected by the National Library, and find out the varieties and meanings of Yuwei.
本研究以国家图书馆之172部宋代雕版书籍为主要对象,期望理出古书“尾”形之种类和意义。

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21. Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles.
木板水印是一种印刷文字和图案的技术,广泛应用于东亚地区,起源于中国古代,是一种在纺织物上进行印刷的方式。

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22. The technologies most used for reproduction of Chinese ancient books on Xuan paper such as digital ink jet, woodblock watermark, collotype and screen print were compared and analyzed.
系统分析比较了数码喷墨、木版水印、珂罗版复制、丝网印刷等当前宣纸古籍复制主流技术;

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23. THE cover is a cliché: a frothy crested wave with Mount Fuji in the background. Emblazoned on the image of Hokusai’s woodblock print from the 1830s are the words “This is Japan” and “1958”.
这本期刊的封面是铜版印刷,以富士山为背景的翻腾的海浪——十八世纪三十年代画家葛饰北斋的版画——上面衬着这几个字:“ThisisJapan”和“1958”。

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24. On the basis of the history of the woodblock edition summarized by the predecessors, this dissertation initially put forward a more complicated clue and fills the vacant area in the previous research.
在前人总结的版刻演进纵向线索的基础上,初步贯穿起另一条纵横交错、层次更为复杂的线索,并补充了已有研究中某些时间段的空白点。

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25. On the basis of the history of the woodblock edition summarized by the predecessors, this dissertation initially put forward a more complicated clue and fills the vacant area in the previous research.
在前人总结的版刻演进纵向线索的基础上,初步贯穿起另一条纵横交错、层次更为复杂的线索,并补充了已有研究中某些时间段的空白点。

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