underpainting
英['ʌndəpeɪntɪŋ]
美['ʌndəˌpeɪntɪŋ]
- n. [画]底层色；画底色
双语例句
- 1. The first task is to extend the underpainting using oils.
- 第一项任务是将打底用的油。
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- 2. The second image is close to what is called a underpainting.
- 第二个图像是贴近被称为打底。
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- 3. She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots;
- 她尝试着使用了不同的画底色，刮了，擦了，画出了明亮的玫瑰红点；
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- 4. The purpose of painting thinly in oil at the beginning is to be able to see the guiding acrylic underpainting.
- 画中的薄油开始时的目的是能够看到的指导丙烯酸打底。
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- 5. By using an acrylic layer as an underpainting one has all the advantage of an oil underpainting while also saving time.
- 通过使用作为打底人所有的石油打底优势，同时也节省了时间的丙烯酸层。
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- 6. The usual way to painting an oil begins with the underpainting where the essential ideas and designs are worked out in rough.
- 通常的方法来画一个石油开始与地方的基本思路和设计工作在恶劣出打底。
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- 7. Usually, an "underpainting" texture is applied to part of the model or to the entire model, and this texture is set to team color.
- 通常地，一个“底层色”贴图被赋予模型的某个部分甚至是整个模型，这个贴图就是被设置为队伍颜色。
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- 8. I choose to leave the blue as it was what I wanted but you can completely cover the underpainting color with your final color scheme.
- 我选择离开的蓝色，因为它是我要的东西，但你可以完全覆盖你最后的配色方案打底的颜色。
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- 9. In Oil painting it is a traditional technique to paint an underpainting or a rough sketch on the canvas before finalizing your painting.
- 在油画这是一个传统工艺画你的画才敲定的打底或画布上的轮廓。
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- 10. As you progress and use these techniques you should find that the acrylic underpainting supports and adds depth and luminosity to your oil painting.
- 当你使用这些技术的进步和你会发现，压克力打底，并增加了支持你的深度和光度油画。
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- 11. Underpainting also has the additional advantage of being visible through other glazed layers on top of it and thereby influencing the finished painting.
- 打底也有明显的正通过在它之上的其他釉层，从而影响成品画额外的优势。
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- 12. She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious-her own and that of her models.
- 为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。
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- 13. She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious-her own and that of her models.
- 为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。
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